Out of fear that I will not be able to maintain the energy to start blogging, I will save updates on the last couple of months for a better time; (that is, when you call me, or when I have had coffee and my fingers are willing to fly over the keys) but I have promised my mother that I would write about the holiday desserts this year, and it is bad form to break promises so soon after the day of new resolutions. So here is my story.
Anyone who does not read my sister's blog in tandem with mine does not necessarily know that she has become quite the gourmet. I'm rather ashamed to admit that she has, on more than one occasion, saved me from flopping into my bed with an empty and growling stomach by offering me a meal of "planet salad" or Thai Mahi at the end of the day, as I am too exhausted to brown and munch my quick-cook pot stickers. So when Thanksgiving loomed on the calendar and she began rehearsing her menu of honey roasted duck, and other out of this world delicacies I found myself torn between the desire to be helpful and the knowledge of my domestic ineptitude. I offered to make dessert. I culled through some recipes and (skipping over Pumpkin Pie in favor of something more exotic) landed on a Pushing Daisies-inspired Pear Gruyere Pie. Then began the problems.
First, the fridge ate my butter. Second, I forgot that a one-serving-sized blender will not be able to manage the ingredients for a whole (five-serving) pie. Third, Sarah does gourmet cooking: not baking. Therefore she doesn't have unbleached white flour, or fine sugar or anything but sea salt. And Fourth, I'm a horrible cook.
When my slightly overly browned, wheat flour crust concoction had finally cooled enough for me to foist it upon my fellow celebrants, I was simply relieved that there was plenty of coffee and cookies homemade by Tacy (who is an excellent baker and cook) to erase the taste of my mess from our mouths. Fiasco number one.
For Christmas, I was inspired by the untasted Guinness in my fridge, and chocolate all around, and the realization that a cake does not require a pie-crust (which I will slowly work up to making again). So Chocolate-Stout cake was the goal. One would hope that after thanksgiving I would be advised that I should furnish my own baking soda, sugar, etc., but I had again forgotten (I had managed to remember the flour this time) so after countless trips back and forth from my apartment to Sarah's kitchen, a close call with chocolate getting too hot too fast, I managed to spatula the batter into the two pans and stick them in the oven. Then I attempted the icing. The problem with time, is that it cannot be hurried, and so when I tried to squeeze the 2 hour prep time for the icing into 20 minutes, I ended up making a chocolate cake with chocolate sauce. At least it was edible this time. Fiasco number two.
Our New Year's celebration widened from the familial three (Sarah, Zeb and me) to eight. My easily-intimidatable nature suggested that I not test the truth of the "third time's a charm" adage. Our dessert was Trader Joe's frozen Tiramisu. It was delicious. If Lisa hadn't been with me when I bought it, I had been less honest, and the world didn't know about fiascoes one and two, no one would have even known that I am not a world class dessert artist. Thank goodness the next holiday is Valentine's because I sure do know how to pick out good chocolate, and can make drinking chocolate like nobody's business. Small steps away from disaster, I suppose.
Monday, January 5, 2009
Saturday, October 25, 2008
A not-so-silent film review
This evening I donned my new polka-dot blouse, my platform heels and my Audrey Hepburnesque black raincoat, and strolled the three blocks between my apartment and St. Anne's Church to watch the silent version of Gaston Leroux's Phantom of the Opera accompanied by Larry Molinaro on the church's magnificent organ music starting at seven in the evening.
It was quite an experience. I had never seen a silent film on any screen bigger than my computer before so that in itself makes it memorable. For an hour and a half I, and a score of others, sat mesmerized (despite the discomfort of the pews) and entertained by the alternating sepia, black and white, and occasionally the red or blue images on the screen in front of the altar. To call the famous drama a comedy is perhaps a strech, but the composer/accompanies Larry Molinaro swept the story along with the beautiful-yet-not-to-be-taken-too-seriously score which included variations on the cancan and Pick-a-little as well as other famous pieces that I couldn't quite put the name to.
All in all it is the best movie I have seen in a long time due, in great part, to the surround sound and the fact that I haven't been to see a movie since my return to the States.
It was quite an experience. I had never seen a silent film on any screen bigger than my computer before so that in itself makes it memorable. For an hour and a half I, and a score of others, sat mesmerized (despite the discomfort of the pews) and entertained by the alternating sepia, black and white, and occasionally the red or blue images on the screen in front of the altar. To call the famous drama a comedy is perhaps a strech, but the composer/accompanies Larry Molinaro swept the story along with the beautiful-yet-not-to-be-taken-too-seriously score which included variations on the cancan and Pick-a-little as well as other famous pieces that I couldn't quite put the name to.
All in all it is the best movie I have seen in a long time due, in great part, to the surround sound and the fact that I haven't been to see a movie since my return to the States.
Thursday, October 9, 2008
On Locales
Everyone knows about Townies and Bumpkins: those particular people who simply cannot live without __(fill in the blank)
a. neon lights shining down on their repose, the gentle lowing of taxi horns and uncontrolled radio decibels, and the company of those so rich that if they were a garden they could feed a small country and can locate planets with their very high noses.
-or-
b. crickets (and other creatures far too small to be able to emit sounds at the volume that they do) hosting raves, winds sweeping through the plains and the shutters, and the cracks around the door, a wake-up call performed far too early by the sun, and the company of quadrupeds.
Such categories as City Slicker and Hillbilly are easily defined, and those who fit into them are even easier to spot. But I fit into an entirely different slot. I am a Suburbanite. A Cul-de-sac-ee. One who was born at the end of the asphalt, but could look down the street and see one of the last pairs of horses actually kept within city limits. My family was made for this kind of life. There was the perfect "field" for us to play in, until the builders actually developed that two-acre plot. And there were trees that were climb-able as long as we weighed less than 50 pounds, but really, one shouldn't expect too much from a tree that was only planted twenty years ago. And then there was my family. We were made to live in a neighborhood. Large and friendly, we were absent-minded in that way which necessitates borrowing sugar from the clan next door because no one remembered to put it on the shopping list. The children of the street formed a docile gang whose dangerous activities included playing Uno in the middle of the street or a round of Truth-or-Dare which forced someone near the outhouse the construction workers had been using all month. When we felt particularly edgy, we would attack a house with rolls and rolls of toilet paper. Our logic was that we could trick everyone into thinking that we were innocent if we merely TP-ed one of our own houses. Of course the next morning we would have to clean up our own mess, but we never seemed to mind.
With this sort of background, it is no wonder that I have some trouble adjusting to life downtown. I've learned that between the loud talking or singing stumblers, the high heels on bricks which sound as though an old fashioned horse and cart is walking through my room, and the streetlamp perfectly positioned to shine like a very close and very unfortunately unmoving sun directly in my face, sleeping in the city is a skill. Fortunately my day expired around 2 1/2 hours ago, and so I will have no need to work particularly hard in order to sleep tonight. Right now, actually.
a. neon lights shining down on their repose, the gentle lowing of taxi horns and uncontrolled radio decibels, and the company of those so rich that if they were a garden they could feed a small country and can locate planets with their very high noses.
-or-
b. crickets (and other creatures far too small to be able to emit sounds at the volume that they do) hosting raves, winds sweeping through the plains and the shutters, and the cracks around the door, a wake-up call performed far too early by the sun, and the company of quadrupeds.
Such categories as City Slicker and Hillbilly are easily defined, and those who fit into them are even easier to spot. But I fit into an entirely different slot. I am a Suburbanite. A Cul-de-sac-ee. One who was born at the end of the asphalt, but could look down the street and see one of the last pairs of horses actually kept within city limits. My family was made for this kind of life. There was the perfect "field" for us to play in, until the builders actually developed that two-acre plot. And there were trees that were climb-able as long as we weighed less than 50 pounds, but really, one shouldn't expect too much from a tree that was only planted twenty years ago. And then there was my family. We were made to live in a neighborhood. Large and friendly, we were absent-minded in that way which necessitates borrowing sugar from the clan next door because no one remembered to put it on the shopping list. The children of the street formed a docile gang whose dangerous activities included playing Uno in the middle of the street or a round of Truth-or-Dare which forced someone near the outhouse the construction workers had been using all month. When we felt particularly edgy, we would attack a house with rolls and rolls of toilet paper. Our logic was that we could trick everyone into thinking that we were innocent if we merely TP-ed one of our own houses. Of course the next morning we would have to clean up our own mess, but we never seemed to mind.
With this sort of background, it is no wonder that I have some trouble adjusting to life downtown. I've learned that between the loud talking or singing stumblers, the high heels on bricks which sound as though an old fashioned horse and cart is walking through my room, and the streetlamp perfectly positioned to shine like a very close and very unfortunately unmoving sun directly in my face, sleeping in the city is a skill. Fortunately my day expired around 2 1/2 hours ago, and so I will have no need to work particularly hard in order to sleep tonight. Right now, actually.
Monday, September 22, 2008
Shades of rodents
We usually had some package of nuts to strew about the back porch for Chester. Why we named the fattest of the fox squirrels Chester, which to my mind is reminiscent of a floppy-eared dog, is beyond me. There was a whole crew of climbers who were unbelievably resourceful in poaching the contents of the bird feeder before dinner.
As I grew older, I slowly stopped noticing the squirrels. Sure, I noticed the chipmunks at the Grand Canyon, and the campgrounds, but that's because they were always so cute with those black eyes and the stripe down their back. When I went to Germany, for a time, I noticed them again. They were no longer that muted brown I had come to expect as the only acceptable dye-job for squirrels. These punks had red hair. And they weren't quite as long or fat as the American squirrels. Today I noticed these East Coast squirrels. They are like those pieces of wood that are faded to a gray by the sun on the top, but still show that living red-brown underneath. Except the squirrels scamper. The wood does not.
As I grew older, I slowly stopped noticing the squirrels. Sure, I noticed the chipmunks at the Grand Canyon, and the campgrounds, but that's because they were always so cute with those black eyes and the stripe down their back. When I went to Germany, for a time, I noticed them again. They were no longer that muted brown I had come to expect as the only acceptable dye-job for squirrels. These punks had red hair. And they weren't quite as long or fat as the American squirrels. Today I noticed these East Coast squirrels. They are like those pieces of wood that are faded to a gray by the sun on the top, but still show that living red-brown underneath. Except the squirrels scamper. The wood does not.
Friday, September 12, 2008
...Of Untamed Weather
Did I forget to mention that I got my very first "tropical storm day off" from work last week? Well, I did. They thought the town might flood, so Phillips told me to stay in bed, and I got some of my shopping done instead. I'm telling you: things are different here. There are fireflies, tropical storms, and unbelievably muggy days.
Monday, September 8, 2008
A Moment...
...to breathe. Just a moment. Well, an afternoon, that is. I have been rebuked countless times since moving to Annapolis for my laxity in blogging. At first I had no excuse other than laziness and jetlag for being so remiss, but I have, at long last come up with three good excuses which I will lay out in High School essay-like form.
First,
Second,
Finally,
In conclusion, I am now working three jobs (read approx. 6 1/2 days per week), one which occasionally requires my presence at 5:15 am, another which occasionally requires my presence until as late as 11:00 pm, and I am exhausted.
Or, as a more true explanation, I now work as a hostess at Phillips Seafood Restaurant, a barista-in-training at Starbucks, and a nanny for Charlie (who is just under two months old). As you can, I am sure, tell from the fact that I have posted twice today, I have the afternoon off, and am desperately trying to catch up with my life. So I'm off (like a dirty shirt) to get everything else done. Right now. Effortlessly.
First,
Second,
Finally,
In conclusion, I am now working three jobs (read approx. 6 1/2 days per week), one which occasionally requires my presence at 5:15 am, another which occasionally requires my presence until as late as 11:00 pm, and I am exhausted.Or, as a more true explanation, I now work as a hostess at Phillips Seafood Restaurant, a barista-in-training at Starbucks, and a nanny for Charlie (who is just under two months old). As you can, I am sure, tell from the fact that I have posted twice today, I have the afternoon off, and am desperately trying to catch up with my life. So I'm off (like a dirty shirt) to get everything else done. Right now. Effortlessly.
Apostrophy s
Neither I nor anyone I know would ever quite call me an accessories kinda girl. I have only owned purses in succession, and they were generally of the sporty/practical variety. My criterion was that it be sturdy enough to be worth the money I had invested in it, it must hold at least one book and my moleskin, and it must be as inconspicuous as possible. Even when my hair was embarrassingly boyishly short, it was like catching caffeinated frogs to get me to wear feminine (large and dangling) earrings. I always marvelled at those girls who allowed their ears to droop from the weight of their ear decorations. Truly, the number of fashionable items labeled with my name and the possessive contraction were relatively few.
But like so many things in the past year-and-a-bit-more that has passed, this has been changing. I now own (and wear) not just my sterling ball earrings, but also multiple styles and colors of danglies which are large enough to be seen from 15-20 feet away, and shoes that go with outfits. My cherry-red purse is anything but inconspicuous and large enough to shelter a Boy Scout camp-out.
More important than all of these other accessories- vying with my music makers (ipod, guitar, etc.) for the role of the item that I cannot be without for more than a few hours- are my sunglasses.
But like so many things in the past year-and-a-bit-more that has passed, this has been changing. I now own (and wear) not just my sterling ball earrings, but also multiple styles and colors of danglies which are large enough to be seen from 15-20 feet away, and shoes that go with outfits. My cherry-red purse is anything but inconspicuous and large enough to shelter a Boy Scout camp-out.
More important than all of these other accessories- vying with my music makers (ipod, guitar, etc.) for the role of the item that I cannot be without for more than a few hours- are my sunglasses.
How can anything so fragile and 50's looking be so important? Well, if you had a pair you would understand their magic. The anonymity and glamour which accompanies this single article of wear is astonishing. Behind them I cannot simply walk: I must stroll, traipse, even strut. Even in the ratty cleaning/laundry day jeans, I feel that I must be that movie star or that author, or that singer who is just on the brink of being famous. That those I pass in the street just must be thinking to themselves, "hmm... I wonder if that's someone I should know about." Then I saunter past (leaving, of course, a wake of dazzle) and go about my daily life. And that is the power housed in my wonderful sunglasses.
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